• Lynnsey Lambrecht

    COMPOSER. THEORIST.

    EDUCATOR. SCHOLAR.

     

     

     

     

  • ABOUT ME

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    Lynnsey Lambrecht is an Assistant Professor of Music Theory and Composition at Bradley University in central Illinois. Previously, she was an instructor at Western Michigan University, an instructor at the Interlochen Summer Arts Camp, and a graduate teaching assistant at Michigan State University. Dr. Lambrecht graduated from Michigan State University with a Doctor of Musical Arts in composition and a Master of Music in theory. She earned a Master of Music in theory and composition from the University of Northern Colorado, and she graduated summa cum laude from Colorado Mesa University with a Bachelor of Arts in music education.

     

    In addition to composing and teaching, her interests reside in post-tonal theory pedagogy, composition pedagogy, 20th and 21st-century analysis, and learning about the best practices for music theory tutoring. Dr. Lambrecht has presented at the College Music Society International Conference, the Canadian University Music Society Annual Conference, the International Conference for Music Perception and Cognition, the Music by Women International Festival, the Colorado Music Education Association Conference, the Illinois Music Education Association Conference, the Illinois State Music Teachers Association Conference, the College Music Society Great Lakes Regional Conference, and the University of Arizona Graduate Student Music Conference at the University of Arizona.

     

    She attended the New York Summer Music Festival as a composition fellow, received an honorable mention in the Michigan State University Large Ensemble Composition Competition, was selected as a winner of the Michigan State University College of Music Running Start Competition, and was awarded first place in the Colorado Mesa University Student Showcase Competition.

     

    Dr. Lambrecht has compositions and arrangements published by Grand Mesa Music Publishers, Eighth Note Publications, Pámpano Publications, and Blue Note Music Press, and she has studied composition with Ricardo Lorenz, Charles Ruggiero, Paul Elwood, and Darin Kamstra.

     

    Her research is published in The Routledge Companion to Music Theory Pedagogy and the Proceedings of the International Conference on Music Perception and Cognition.

  • TEACHING EXPERIENCE

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    Bradley University

    Assistant Professor of Music Theory and Composition

    2018-present

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    Interlochen Summer Arts Camp

    Instructor of Music Theory, Aural Skills, History, and Musician Artistry

    2019 and 2020

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    Western Michigan University

    Instructor of Music Theory

    2018

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    Michigan State University

    Music Theory Graduate Teaching Assistant

    2016-2017

  • EDUCATION

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    Michigan State University

    DMA Composition

    MM Theory

    2017

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    University of Northern Colorado

    MM Theory and Composition

    2012

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    Colorado Mesa University

    BA Music Education

    2010

  • COMPOSITIONS

    For purchasing information on any of the pieces, please feel free to contact me below.

     

    Wind Ensemble

    • Night Songs
      • Concerto for Harp and Wind Ensemble
      • I. Fleeting Dusk, II. Serene Darkness, III. Rising Light
      • Selected as an honorable mention of the Michigan State Large Ensemble Composition Competition
      • Perusal score
      • Midi realization

    Choir

    Saxophone Quartet

    • Allegro from Spring - Antonio Vivaldi
      • SATB or AATB arrangement published by Blue Note Music Press
      • $10.00 score and parts
    • Blessed Virgin, Rejoice (Bogoroditse Devo, Raduisya) - Sergei Rachmaninov
      • SATB or AATB arrangement published by Eighth Note Publications
      • $12.00 score and parts
      • From the publisher
    • Here Comes the Sun - George Harrison
      • SATB or AATB arrangement published by Blue Note Music Press for Harrisongs Ltd. and Hal Leonard Corporation
      • $15.00 score and parts
    • Jesu, Joy of Man's Desiring - Johann Sebastian Bach
      • SATB or AATB arrangement published by Blue Note Music Press
      • $10.00 score and parts
    • Let's Talk Cuba - Ivette Herryman Rodriquez
      • SATB arrangement published by Pámpano Publications
      • $20.00 score and parts
    • Mexican Hat Dance - F.A. Partichela
      • SATB or AATB arrangement published by Grand Mesa Music Publishers
      • $15.00 score and parts
      • Performed at The Midwest Clinic International Band, Orchestra, and Music Festival 2019
      • From the publisher
    • Prelude from Te Deum - Marc-Antoine Charpentier
      • SATB or AATB arrangement published by Eighth Note Publications
      • $12.00 score and parts
      • From the publisher

    Small Ensemble

    • Buhk Et Myoo Zish Uhns - percussion quartet

    Instrumental Solos

    Vocal Solos

  • Multimedia Projects

    12 Score (2021)

    Provided music soundtrack for game created in collaboration between Bradley University faculty. The game was created to highlight social justice and human rights from 1776 to 2020. The music traces historical styles, forms, and genres throughout the time frame with an overarching accumulation form.

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    A Dozen Dozen (2020)

    Juried conference demonstration: A MAZE / Berlin: Openscreens – July 2020

     

    Juried conference demonstration: IndieCade Festival of Independent Games – Oct. 2020

     

    Provided music soundtrack for game created in collaboration between Bradley University faculty. The game was created to celebrate the 100th anniversary of women's suffrage in the United States. The gameplay is intended to give the player a sense of the expanse of time (144 years) between the nation’s founding and the passage of the 19th Amendment. The music encompasses Americana genres with an overarching accumulation form.

  • RESEARCH PUBLICATIONS

    Lambrecht, L. (2020). Integrating keyboarding activities into an early twentieth-century techniques course. In L. VanHandel (Ed.), The Routledge Companion to Music Theory Pedagogy. New York: Routledge.

         

    Lambrecht, L. and L. VanHandel. (2018) The perception of stable tones in polytonal structures. In Parncutt, R., & Sattmann, S. (Eds.), Proceedings of ICMPC15/ESCOM10. Graz, Austria: Centre for Systematic Musicology, University of Graz.

     

    For questions, comments, or more information please contact me below.

  • RECENT PRESENTATIONS & MATERIALS

    Gamifying the Music Theory Curriculum

    Canadian University Music Society Annual Conference, virtual (2021)

    College Music Society International Conference, virtual (2021)

    College Music Society Great Lakes Regional Conference, virtual (2021)

    Canadian University Music Society Annual Conference, London, Ontario, CA (June 2020, conference cancelled due to COVID-19)

     

    Composing with Symmetrical Collections

    Illinois Music Education Association Conference All-State Composition Workshop, Peoria, IL (January 30, 2020)

     

    Preparing Your Students for Music School Auditions

    Illinois Music Education Association Conference, Peoria, IL (January 31, 2020)

    Illinois State Music Teachers Association Conference, Charleston, IL (November 2, 2019)

    Presentation Slides (PDF)

    Handout

     

    Pedagogical Approaches and Analysis to Incorporate Julia Wolfe's Pulitzer Prize Winning Anthracite Fields into Music Courses

    Music by Women International Festival at Mississippi University for Women, Columbus, MS (March 9, 2019)

    Presentation slides (PDF)

     

    Post-Tonal Pedagogy: Teaching and Learning Early 20th Century Techniques at the Keyboard

    College Music Society Great Lakes Regional Conference, Westerville, OH (April 6, 2018)

    University of Arizona Graduate Student Music Conference, Tucson, AZ (February 10, 2018)

    Michigan State University College of Music Mock Conference, East Lansing, MI (February 2, 2018)

    Michigan State University College of Music Theory Colloquium, East Lansing, MI (September 15, 2017)

    Presentation video

    Presentation slides (PDF)

    Handout with examples

     

    Exploring Gesture, Space, and Timbre in Saariaho's NoaNoa

    Music by Women International Festival at Mississippi University for Women, Columbus, MS (March 2, 2018)

    Michigan State University College of Music Mock Conference, East Lansing, MI (February 2, 2018)

    Presentation slides (PDF)

    Handout with examples

     

    The Perception of Stable Tones in Polytonal Structures

    International Conference on Music Perception and Cognition, Montréal, Québec, CA (July 27, 2018)

    Michigan State University College of Music Theory Colloquium, East Lansing, MI (October 20, 2017)

    Presentation slides (PDF)

     

    For questions, comments, or more information please contact me below.

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